How did Richard Wagner influence Nietzsche?

How did Richard Wagner influence Nietzsche?

However, Nietzsche had nothing to gain by attacking Wagner, his motives were misunderstood by a public who were influenced by Nietzsche’s early admiration of Wagner, and who were now enthralled by Wagner’s genius….Nietzsche contra Wagner.

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Author Friedrich Nietzsche
Preceded by Ecce Homo (1888)
Followed by The Will to Power (1901)

How did Nietzsche meet Wagner?

Friedrich Nietzsche met Wagner in Leipzig in 1868 and became a close ally, but the relationship soured and the philosopher was ostracised after the publication in 1878 of Richard Wagner in Bayreuth, which while still admiring of the composer’s work was less than complimentary about Wagner the man.

Did Nietzsche Love Cosima Wagner?

Nietzsche was in love with Cosima, who had married Wagner while Nietzsche was at war. The daughter of Franz Liszt, Cosima was terrifyingly effective; capable even of dominating the notoriously libidinous Wagner. Wagner—who spoke French perfectly well—was refusing even to read letters sent to him written in French.

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Who was Nietzsche’s favorite composer?

Richard Wagner
Central to his life and his ideas were the music and personality of Richard Wagner, whom he both loved and loathed at different times of his life.

Why did Nietzsche turn against Wagner?

Wagner had written extensively about music and culture in general, and Nietzsche shared his enthusiasm for trying to revitalize culture through new forms of art. Wagner was an anti-Semite, nursed grievances against the French which fueled hostility to French culture, and was sympathetic to German nationalism.

Who was Nietzsche friends with?

Nietzsche subsequently concentrated on studying philology under Professor Friedrich Wilhelm Ritschl, whom he followed to the University of Leipzig in 1865. There, he became close friends with his fellow student Erwin Rohde.

Why did Nietzsche break up with Wagner?

They spent quite a lot of time together, but there is some strain in the relationship. Wagner warned Nietzsche to be wary of Rée on account of his being Jewish. He also discussed his next opera, Parsifal, which to Nietzsche’s surprise and disgust was to advance Christian themes.

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Will to Power Friedrich Nietzsche?

Nietzsche’s Value Judgments The will to power as Nietzsche conceives of it is neither good nor bad. It is a basic drive found in everyone, but one that expresses itself in many different ways. The philosopher and the scientist direct their will to power into a will to truth. Artists channel it into a will to create.

What was Wagner’s first completed music drama?

Die Feen
Early career and marriage (1833–1842) In the same year, at the age of 20, Wagner composed his first complete opera, Die Feen (The Fairies). This work, which imitated the style of Weber, went unproduced until half a century later, when it was premiered in Munich shortly after the composer’s death in 1883.

Who did Nietzsche meet when he first met Richard Wagner?

Of all the people who Friedrich Nietzsche met, the composer Richard Wagner (1813-1883) was, without question, the one who made the deepest impression on him. As many have pointed out, Wagner was the same age as Nietzsche father, and thus could have offered the young scholar, who was 23 when they first met in 1868, some sort of father substitute.

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What is the relationship between Nietzsche and rewagner like?

Wagner had written extensively about music and culture in general, and Nietzsche shared his enthusiasm for trying to revitalize culture through new forms of art.

Was Nietzsche a good pianist?

Nietzsche and Wagner From an early age Nietzsche was passionately fond of music, and by the time he was a student he was a highly competent pianist who impressed his peers by his ability to improvise. In the 1860s Wagner’s star was rising.

Why didn’t Nietzsche participate in the Wagner Festival?

Nietzsche originally intended to participate fully, but by the time the event was underway he found the cult of Wagner, the frenetic social scene swirling around the comings and goings of celebrities, and the shallowness of the surrounding festivities unpalatable.